#Red giant pluraleyes 4 serial update
#Red giant pluraleyes 4 serial upgrade
#Red giant pluraleyes 4 serial pro
#Red giant pluraleyes 4 serial software
#Red giant pluraleyes 4 serial code

I had to keep the setup simple due to the space constraints in the office but I also wanted to give PluralEyes enough to chew on, so to speak. They are a couple of very talented, Vienna-based musicians originally from Honduras, and they were happy to drop by to perform an acoustic version of their upcoming single. With very little time to plan, I remembered that my good friends Maria Jose and Samuel just happened to be playing a gig near the Cinema5D office. I was particularly interested in PluralEyes’ integration with Adobe Premiere Pro.

#Red giant pluraleyes 4 serial software

The folks over at Red Giant were kind enough to provide us with a copy to try, and I decided to put the software to test. Tim’s article from last month covered PluralEyes within this release extensively, so do have a read if this announcement managed to pass you by.

Red Giant recently released their Shooter Suite 13, a collection of utility plugins that can help you at several stages of post-production. Today we’re trying out Red Giant’s newest version of their audio syncing plugin, PluralEyes 4.0, and testing how it stacks up against Premiere’s native sync tool. keyboard_arrow_rightGear Guides by Budget.keyboard_arrow_rightGear Guides by Type.keyboard_arrow_rightCameras of the Year.

#Red giant pluraleyes 4 serial upgrade

PluralEyes 4.0 is available now for a stand alone purchase price of $299, or $99 as an upgrade or $149 for academic use. From previous experience, I was pretty impressed with how fast it does this, but there are so many variables that I couldn’t confirm whether the overall speed has been significantly improved I’d be very keen to try it out and see how fast it operates within Premiere Pro.

#Red giant pluraleyes 4 serial pro

The above tutorial on its integration with Premiere Pro shows an hours worth of footage (from 3 sources) analysed in realtime. If there was one aspect I’d like to have changed from version 3.0, it was the speed of analysis 4 video sources around an hour in length would take a while to chug through.įor this reason I was happy that PluralEyes would open in a standalone program, I could leave it run in the background and get on with other editing tasks.

#Red giant pluraleyes 4 serial code

There are a couple of easy access features from the PluralEyes panel in Premiere Pro (or other NLEs), you can colour code un-synced clips and send them to the end of the timeline-a nice feature for quickly organising your timelines.Įxpanding on my last bullet point, it seems as if the analysing process is now faster in PluralEyes 4.0. PluralEyes 4.0 is even quicker the audio sync software now opens in a panel within Premiere Pro, meaning you don’t even have to enter a standalone piece of software:

After syncing had completed, a click of the export button would close the program and return you to Premiere Pro with some newly made timeline in your project bin. Previous link up with NLE programs was pretty quick and easy one extension click in Premiere Pro and your timeline was importing into an auto-opened PluralEyes. I completely agree that the previous PluralEyes tries a little too hard in emulating an NLE interface I simply want to sync my clips and get out of there. They’ve stripped the interface right back, removed the unnecessary user input for ‘how hard’ the software works & added Audio Drift Correction as standard.

It’s clear Red Giant took a step back and reviewed PluralEyes from a user point of view. The last point maybe a little ambiguous but I will explain later. Improved support for NLE software like FCP X and Premiere Pro CC.Auto analyse alleviates un-necessary user selection.Below you’ll find some of the key points:

#Red giant pluraleyes 4 serial update

So what does PluralEyes 4.0 bring us? I currently use 3.0 and was excited to learn a little more about the new features this update will bring. The process is simple: it analyses similarities within audio tracks (you need reference audio for every video track) and matches them up, saving you hours of manually syncing multiple files. Whether it’s a single camera and audio recorder, or MultiCam setup with several audio sources. PluralEyes 4.0 simplifies its interface, alleviating confusing controls and adding faster, more streamlined workflows with Premiere Pro CC and Final Cut Pro X.įor those who don’t know, PluralEyes is a very useful tool for syncing audio and video. Red Giant has announced PluralEyes 4.0, a sleek new update to the audio sync software.